Composição II (Tutorial para Recital)

Composição II (Tutorial para Recital ­ MUD710) – Ementa

Eletiva / 30 horas-aula / 2 créditos

Estudos avançados de estética e estilo musicais como articulação do pensamento no
repertório contemporâneo. Disciplina individual de preparação tutorial do Recital de
Mestrado com obras do discente

Referências

ANDREWS, George. The theory of partitions. Cambridge: Cambridge University, 1984.

BERRY, Wallace. Structural functions in music. New York: Dover, 1987.

CHION, Michel. L’art des sons fixés ou la musique concrètement. Fontaine: Éditions Metamkine, 1991.

GRISEY, Gérad. Structuration des timbres dans la musique instrumentale. Le timbre, métaphore pour la composition. Paris: IRCAM / Christian Bourgois Éditeur, 1991.

LERDAHL, Fred & JACKENDOFF, Ray. A generative theory of tonal music. Cambridge: MIT, 1996.

LESTER, Joel. Analytic approaches to Twentieth-Century music. New York: W. W. Norton, 1989. MALT, Mikhail;

ROADS, Curtis. PatchWork Reference. (1996). Paris: IRCAM. (Third Edition), 1996.

MEYER, L. Style and music. Philadelphia: University of Pennsylvania, 1989.

MORRIS, Robert D. Composition with pitch-classes: a theory of compositional design. Yale: Yale University, 1987.

ROADS, Curtis. The computer music tutorial. Cambridge (MASS): MIT Press, 1995.

SIMON, Emmerson (ed.). The language of electroacoustic music. Londres: Macmillan, 1986.

SCRUTON, Roger. The Aesthetics of Music. New York: Oxford University Press, 1997.